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My Freedom to Fail

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Continuing from My Freedom to Succeed (which was a loose continuation of My Freedom to Experiment) I’m going to finally conclude these series of posts.

Today, I’m going to talk about My Freedom to Fail.

Basically what I mean by that is that I’m not perfect.
I make mistakes.
I screw up.
And it’s okay.

This doesn’t just apply to work at Coast, but even my personal life.

I don’t always make the right decisions.
Sometimes I make bad call.
Or a bonehead move.
Or even just plain screw up.
If When I do mess up, I had better learn from it and not do it again.

Now don’t get me wrong, I strive to be great at what I do. I really hate failing.

Take this past weekend for example…

Mike was out-of-town. He got to spend the weekend at the Murrieta Hot Springs. Sounds nice, right? I’m sure it would have been if it wasn’t the Women’s Retreat where there were 135 women. When he got back I asked if he’d gotten his nails done while he was there ;-)

 

Okay, back to the story… Mike was gone so that left me to “hold down the fort” so-to-speak all weekend. It was also the second weekend for one of our new audio volunteers. I felt bad for him. It was a rough weekend to try to train someone new.

I’m not gonna lie, I was stressed. It’s a lot of pressure to pull off what we do every week. I’m just glad that the success of failure of it doesn’t rest on me. It was only by God’s strength that I got through it!

And a big shout-out to our two lighting volunteers for coming in and setting all the floor lights again after having them disconnected and moved during the construction on the stage this week. You guys are awesome and I am so blessed to be able to work with both of you!!

Being the only audio guy there has really made me appreciate the processes that Mike and I have put in place to make our jobs easier. From being able to remote into any machine in the tech booth using the iPad to being able to power all the amps from one location, having Reaper start recording automatically (though there was a small hiccup on Sunday with the recording) and the libraries in the M-48′s. All of that has made pulling off a weekend service so much easier.

Now on a normal weekend where it’s just Mike and I, we can do setup and line-check in under an hour. If we have a third person we’re around 30-45 minutes. This past weekend with all the extra work and the new volunteer, it took us almost two full hours. We literally got done line-checking just as the band was rolling in.

As I said, I was stressed. I tried to stay calm and breathe and had text a close friend to pray that I would make it through. The worst thing would have been if I started snapping at people or lost my cool. I mean, really, what does that accomplish? It just makes everyone uneasy and can ruin the whole weekend.

By God’s grace I kept my cool and we got everything set and ready.

Once the band rolled in we had a couple minor changes. Nothing big. But again, me being in the booth and having to run down the stage takes time.

During sound-check, one small glitch cropped up that needed me to fix it which meant I had to hot-foot it down to the stage. Thank you, Mike, for leaving the iPad!! It saved my bacon a few times this weekend. After getting the glitch worked out, and thanks to the iPad, I managed to finish up sound-check and get all the gains set properly from down on the stage floor. And with the ability to remote into the Roland machine I could make adjustments to the musician’s mixes as well.

Mark needs a vocalist panned? No problem!
Need more piano in a wedge? Got ya covered!

Once rehearsal started I finally felt like I could breathe again. The band was doing their thing and I just needed to pay attention and build my snapshots. Again, I was mixing and building everything from the comfort of a chair in row H.

I’ll be honest though, I was struggling to get everything to sit pretty in the mix. I went home that night feeling discouraged about how it sounded. I just wasn’t happy with it. Not sure if it was the combination of stress and anxiety with everything going on, but I couldn’t sleep. My eyes were closed, but that was about all. I figured I had gotten somewhere in the neighborhood of three and a half hours of sleep. The next morning was going to be a lot of fun…

After swinging by Starbucks and getting my favorite iced beverage, the Iced Carmel Macchiato with extra caramel, I starting setting out all the wireless mics and IEM packs for the musicians. Once I had gotten the system powered on and everything up and running again, the band started warming up and going through their songs.

They hadn’t gotten 30 seconds into Forever Reign before Mark stops and calls up saying that John’s electric guitar was way louder now and he didn’t have any control over the volume. I had John play and checked the levels but they were in the same place as they were the night before. After spending a few minutes diagnosing and resetting the M-48′s it hit me. I got on the talkback mic and asked Mark and John to check their IEM packs. Mark should be on “A” and John on “B”. Sure enough, they were swapped. My bad!

Now I want to make a point here.

This isn’t to say how great I am. Quite the contrary. This shows that I make mistakes. Even simples ones. We all do. We’re all human. I believe it’s how we respond that matters. I could have blamed someone else. Or blamed the gear. Or done anything to make it look like it wasn’t my fault. But you know what? It was my fault. I owned my mistake. By owning up to a mistake, the band or pastor or speaker or fill in the blank will respect you more and trust you more. Just don’t let it become a regular occurrence!

After my little SNAFU the band finished going through their set and we were ready to start!

We even nailed our timings with the walk-in music.
(P.S. This weekend I rocked Ethan Hulse‘s new EP, I Don’t Feel Simple. I thought it went perfectly with the mood for the weekend.)

I don’t know what happened, but we had a lot of people for the 9am service and they were into it! Numerous times I looked down to the audience and saw hands raised and people singing along. The band was doing a phenomenal job and I was happy with the way things were sounding. Towards the end of the service I had even received a text from Mike telling me he had gotten a text message from one of the musicians who was off today saying that he liked the mix and was wondering who was running FOH today. That made me feel good. I know we’re not here to please everybody. We’re here to please and audience of one: God. But I think that God speaks through these people and I felt really blessed to be a part of this team.

Mike even told me that with the positive comments I heard, that’s God’s way of saying, “Hang in there!”

It’s true. I needed to hear that.

I really made sure that since Ken wasn’t speaking and since Mike was away, that the mix didn’t turn into how I’d want it to sound. You know how little I’d be trusted to mix again if that had happened? Instead, I made sure to mix it to the standards that have been set but still being able to add a little of my own creativity into it.

All in all, it was a great learning experience for me. And only by God’s grace (and the amazing tech team) that we got through the weekend without anything going horribly wrong.

Even though it was stressful and it wasn’t perfect I still saw lives changed by God. I know of two people who had never stepped foot in our building before who will be coming back again next weekend. That’s huge!!

If you honestly think that your service has to be 100% perfect every single time in order for God to move, then we serve an awfully small God. I serve a God that is bigger than I am and isn’t dependent on me to carry out His will. To use the analogy from Ryan‘s message this weekend: I just have to be willing to be used. I’m just the arrow in His quiver.

-i

My Freedom to Succeed

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This is sort of a loose continuation of My Freedom to Experiment where I talked about how at Coast Hills we are encouraged to think outside the box and new ways to tackle old problems.

One of the great things about working at Coast Hills is that the leadership of the church sets us up to succeed. We put a lot of time and effort and sweat and hard work into what we do.

It also helps that we’ve got some pretty nice equipment!

But even if the equipment develops quirks or faults, we’re aware of it and work around it. Anything that needs to be fixed is pulled and we either fix it in house, or send it off to be serviced.

Rarely does anything not work during a service. If something that is a part of the service is out of the ordinary, we test it during the week to make sure it’s going to work as planned. We’ll also test it prior to the service on Saturday afternoon. Which brings me to…

Check everything!

Before the band even arrives, we line check.
Before the service starts we test any videos we have.
Before the pastor gets his mic, we check it.
Before we use a new custom cable, we test it.

The key is this: we don’t assume anything about our equipment. Just because it worked last weekend doesn’t mean that it will work this weekend. We’re dealing with electronics! Sometimes they just stop working.

Plan everything!

Now I realize you can’t absolutely plan everything. But the more you know about how your service is going to flow, the less surprises there are going to be. Now I don’t want to get into a debate about rigidity vs. the moving of the Holy Spirit. This isn’t about that. This is mostly about knowing how your service is going to go from start to finish.

Every Wednesday we have a production meeting in which all of the Worship Arts staff will sit down and plan out the order of service for the upcoming weekend. We talk about the song choices as well as what verbal announcements there will be. Besides talking about the next weekend, we debrief that last one. We evaluate how it went and make changes as necessary.

God has put a calling on each one of our lives to do this and because of that we’re going to do the very best that we can to use the gifts and talents that He’s blessed us with for His glory.

The more prepared you are, the more flexible you can be when things start to deviate from the run sheet.

And when things do deviate from the run sheet, watch your attitude! This isn’t about us. It’s about leading the congregation in worship of our Lord and savior. How can we as tech people, lead when we’re giving a bad example with our horrible attitudes? The answer? We can’t! Just suck it up, plow through the weekend, and talk about it next week.

We’re not here for us.
We’re here for Him.
We’re here to help lead them in worship.

-i

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My Freedom To Experiment

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Thumper Dumper...

photo © 2010 audie (via: Wylio)

I’m sure the title of this post makes you think all sorts of things. But in reality, what I’m talking about is being able to try new things. I read a quote somewhere that said:

 

“Success is built on a mountain of failure.”

One of the great things about my job is that we’re given the freedom, and we’re even encouraged, to try new things.
New methods.
New procedures.
New ways of doing old things.

Just because something has been done a certain way forever doesn’t make it the right way to do it. It’s funny how if the wrong thing is done enough times it becomes the right way to do it.

That doesn’t work for me!
Here’s an example why…

Lately, the haze on our stage has been receiving considerable criticism. It was described as being spotty, it smelled, it billowed, it looked smokey. It just didn’t work as it should. It was distracting. We needed to come up with a solution.

The old way:

The old system (which was set up some time ago) had our Unique2 installed up in the catwalk above the front of our stage with two dryer vent tubes that were Y’d off of it. Each dryer tube was connected to an 18-inch high-velocity fan that forced the haze down to the stage. The problem with that system was that every time we started to haze, there would be this billowing effect at the front of the stage. It didn’t look good and, as I said earlier, it was distracting.

The New Way:

The new system took us quite a bit of time to nail down and get it to a point we were happy with. It started last Sunday with me and Thomas (one of our lighting volunteers) pulling the Unique2 down from the catwalk and putting it behind the giant back wall on our stage. We then ran dryer vent tubes to either side of the wall and put small fans to help distribute the haze throughout the stage.

Later on in the week, I replaced the dryer vent tubes with 6-inch PVC pipe and put 90-degree elbows in at the end to direct the haze where I wanted it. After running Unique2 at 20% for a while it filled the stage nicely. We had great coverage from left to right and even top to bottom. Our Source 4 PAR’s and PARnel’s had great beams coming off of them. I was a happy camper and thought the weekend would go perfectly…

That is until…. the a/c got turned on….

On Saturday we rolled in at 12 o’clock and started to set the stage for the weekend. During that same time, our two lighting volunteers were setting ColorBlasts and programming the Hog. I went over with them how I thought the new system would work: run the hazer at 80% for a few minutes then drop it down to 20%. Sounded like a solid plan, right? WRONG! The HVAC system sucked all the haze right out of the room! What looked great on Friday now looked horrible Saturday afternoon.

We tried running the hazer at 50%, 60%, even 90% and we couldn’t get it to hang. Nothing. Nada. Zilch.

By this time I had to get up into the booth as I was running FOH for the weekend. Mike, Thomas and Daniel then proceeded to spend some more time tweaking. They finally just decided to grab our other hazer, the DF-50, and see how well and oil-based haze would look. Within minutes the results spoke for themselves. It looked fantastic. We had great coverage without the nasty billowing effect. All of our lights looked amazing in the haze.

After the Saturday night service, during the debrief, our Senior Pastor even commented on how the haze and the lights looked great. I believe he even said the changes we made were perfect.

So all that to say…
Don’t be afraid to experiment and try new things!

What’s the worst that can happen? It doesn’t work right? So what? At least you’re thinking and trying to improve. Personally, I’d rather know something doesn’t work than wonder if it does.

This principle can be applied to so many things… like if you’re mixing the service from the satellite campus and you can’t move FOH, try mixing on ears. Sorry, I couldn’t resist and just had to throw that in :-)

So get out there and see what you can improve by taking a new approach to old tasks. It’s all about working smarter, not harder!

-i

House and Record Mix (How we did it)

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On Thursday, I wrote about the Capistrano School District Choir and how my boss and I managed to create two separate mixes on the DiGiCo SD8.
At the same time.
Without bumping into each other.

WARNING…
MAJOR TECHNOJARGON AHEAD.

Digico SD8photo © 2009 Sergio Leenen | more info (via: Wylio) The problem that we faced was that we needed to create a mix in the house that sounded good for the 700 in our seats plus create a record mix that sounded good on a TV at home.

Simple, right?

I mean we were only using two hanging mics over the choir, two audience mics, two wireless mics, a stereo mic’d piano and a podium mic. Nine mics. One reverb effect. Yet two very different mixes.

The way I setup the console was actually pretty simple: I created a stereo aux that fed into the matrix that was piped over to our video booth. I set all the channels except for the audience mics as post-fader. That way when I brought the soloist mics up they would be turned on in the recording as well.

During the show, I was sitting at the SD8 and Mike was over at the video booth using his Ultimate Ears UE-7′s to monitor the record mix. To make adjustments to his mix, he used the iPad to control the SD8 remote software. In the software, he would solo the record aux and use sends on fader to adjust the relative level of each channel. He would also bring up the audience mics every time there was applause.

All in all, our setup worked very well. I don’t think it would all that well if there was a bunch of channels, but for that night it worked like a champ.

I know you can do something similar using Allen & Heath’s iLive T-Series consoles and racks. What I’m not sure on is if you can create multiple mixes using one rack and one console or if you have to have at least two racks. If you have an iLive and you do something like this, please let me know.

So yeah, I hope this makes sense to those of you who understand what I’m talking about. If something isn’t clear, let me know.

-i

Capo Choir

My Long Day

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Today was a long day.

Today was a productive day.
Though when I think about what got done, it’s not a very long list.
So I didn’t get a lot of stuff scratched off my to-do list.
Quality vs. quantity, right?

Today I finished tweaking our hazer so that it’s less distracting.
I troubleshooted some DVI issues in our student room.
Oh, and I ran FOH for the Capistrano School District Choir.

The 300ish kids of the Capistrano School Distric Choir

All together there were over 300 kids who performed tonight across three different choirs: elementary, middle and high school. It was actually a pretty simple setup; two DPA 4098H’s hung from the truss over the stage for the choir, acoustic piano and two soloist mics. There was some tweaking involved (Mike put a 32 band EQ on each 4098 to eliminate a few rogue frequencies), but for the most part we just put everything out and it all sounded really good. Plus, tonight we got to do something that we haven’t done before…

@mikesessler: Mixing the video feed on the iPad while @isaiahfranco mixes FOH. Love that we can share the SD8 and stay out of each other’s way.

We used the SD8 to mix audio for the room and for our record feed.
At the same time.
Without bumping elbows.

Basically for the layman it means that we essentially had two SD8 surfaces to work with. Only one was on an iPad. I won’t bore you with the technical details (unless you do want to know more… just ask, I’d be happy to share) but what we managed to do was make it so that I could sit at the console and Mike could be over in video world with his iPad controlling our SD8 remote in Sends on Fader mode. I still had the ability to solo up anything I needed without affecting him. It was really cool that we were able to create a virtual console so that he could create a mix for the DVD.
At least it’s cool to me.
And probably at least one other person.
Okay, maybe two others.

-i

My new mentor

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Last week I had my annual performance review at Coast Hills. Performance reviews always make me anxious. I get nervous and I don’t know why. I guess the part of me that wants to please others wants to know if I’m meeting the expectations set for me. If you’re wondering, I still have a job.

As with anything, there is room for improvement. Nobody’s perfect. Well, except Jesus. I heard a funny story about a friend of mine who’s teacher would never give 100% on tests even if you got all the answers right. The reasoning behind was because no one is perfect.

Anyways….

Back to my story. Room for improvement. One good thing about these performance reviews is being able to evaluate how you’re doing and where you can improve. One area that we identified that needed worked on was mentorship. Mike and I are working on pouring into Daniel and Thomas (our lighting volunteers). We’re about to start reading Velvet Elvis and will be discussing together.

I also put down under my self-evaluation that I needed a mentor.
I wanted someone who I could look up to.
That I could confide in.
Who could hold me accountable.
That would share their insights with me.
Who is spiritually mature.

One name kept popping up in my head again and again. So last Sunday I went to him and asked if he would be my mentor. He agreed and we decided to meet for lunch every other Wednesday. Today was our first day.

We went out for sushi at a place in Aliso Viejo.
Or was it Laguna Niguel? I can never tell.

Salmon and Seaweed Sushi Rolls - Satsukiphoto © 2008 Alpha | more info (via: Wylio) Since I haven’t spent a whole lot of time with him in a 1:1 situation, most of our conversation was just talking about how I ended up where I am today. It was a good talk. Some things are still not easy to share. Then there are other things that I’m proud to talk about how God has gotten me through.

In short, I’m really glad that I have someone that I can just talk about life with, help me grow spiritually and can be a voice to help guide me during this crazy time in my life.

We will also be going through the book of 1 John. It’s been a while since I last read 1 John so this will be nice. I’m quite excited about the whole idea!

Alright, time for me to hit the sack.
Peace out.
-i

Gunch

Where Did December Go??

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How is it January already? I could swear I was carving the turkey on Thanksgiving just a few days ago.

I know where most of my time went…
one word: GUNCH.

In case you don’t know, Gunch is an original musical production that was put on at Coast Hills Community Church. It’s “loosely” based on a certain story by Dr. Seuss.

Gunch was written to tell a story about redemption and to share the Gospel to those who wouldn’t normally come to church. And you know what? It was a blast to work on!

From November 28th through December 13th, my life was all about Gunch. Starting with set-build week and transitioning into tech week, Gunch pretty much took up every waking hour of my life. Heck, I didn’t even sleep in my own bed for nearly two weeks! One of the amazing families at Coast offered to let me stay at their place during those two weeks. And with several 12-16 hour workdays, I’m so grateful I had a place to crash that was close by!

So even though it was a ton of work, it was also exciting to try out new things and push our systems to the max. Don’t quote me on this, but If I remember correctly, by the end we used 59 of the 60 available channels on the DiGiCo SD8.

The input sheets for Gunch (view PDF)

We also had 14 channels of wireless for the performers on stage with four of the channels being shared by two performers and double-patched into the SD8.

Mike Sessler has been doing a series of posts called “How’d they do that?” on his blog which talks about how we pulled some of this stuff off.

As of right now, Mike hasn’t written up on how we managed to get all of our audio routed.

Han Solo

Flying solo

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Today is my boss’ first day of vacation.

It's Han Solo, flying. Get it?

He’s out for a week. Know what that means?

I’m the go-to guy for tech this week!

That’s right, I’ve been there for only a few months and they trust me to run it.

I’m not really nervous or anything about it. After all, I was a TD for three years before being at Coast. It’s just that this place is a lot larger than my old church. I guess there’s one thing that sorta scares me: WE HAVE TWO BRAND-NEW SYSTEMS THAT WE JUST INSTALLED!

This is the first weekend of running entirely on our new lighting rig and our fourth weekend of using the M-48′s. So far the M-48′s have been solid even while using a pre-production piece of equipment. The lights however… that’s a different story. We managed to freeze the ‘Hog a few times while just testing light fixtures. We also got our Net3 gateway to lock up on us. So as long as it doesn’t act up this weekend I’ll be a happy camper.

Next week while Mike is gone I’m going to try to take it easy and just recuperate from this past week and a half. There’s some little work that will need to be done around the office but we’re mostly planning on doing our big clean-up after the Night of Worship that’s coming up. And there’s a ton to clean up! We must have pulled out thousands of feet of old DMX and power cable plus old steel from up in the truss. All that junk needs sorted, labeled and stored. Sounds fun, right?

Anyways, I’m excited to see what our new lighting rig can do this weekend. Come check it out if you can!

Kevin at FOH

Bye Bye Monitor World

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So long, farewell, auf wiedersehen, goodbye,
Goodbye,
Goodbye,
Goodbye!

This weekend marked the first weekend of us using the new (to us) Roland M-48‘s (once again, you can read about them here). The basic rundown of the M-48 is that it takes 40 channels of audio from Roland’s proprietary audio format called REAC and mixes them down to 16 stereo groups that each musician has individual control over. Want to know the cool part? Each musician can have a different mix. You read it right. Each musician can choose how the audio is grouped together. Got it? There’ll be a test later.

Why do I like this new system?

I don’t have to be in Monitor World for the whole service anymore!

To get a better idea of where Monitor World is, check out these pics: crappy view #1 and slightly less-crappy view #2

Yeah. Lame, right? Somewhere down there is the band. And if you lean out far enough you can actually see everything… and everyone can see you!

Alright, moving on. I’ll bet you’re wondering how we set up this beautiful personal monitor system. Don’t worry, I’ll give you the skinny on how we did it. First off, as a loyal reader of my blog I’m sure you know we run the DiGiCo SD8 (That’s for you Kevin) at Front of House. The SD8 talks to our stage rack (the DiGiRack) via MADI, which is a digital audio format that uses only two coaxial cables to send our 48 audio channels to the SD8 and 16 channels back to the DiGiRack. It’s actually a very impressive system and I’m sure my explanation isn’t doing it any justice.

Now the Roland system is also fully digital, but how do we get audio from the SD8 to the M-48′s? Enter the S-MADI Bridge.

The S-MADI Bridge connects the SD8 to the M-48's

The S-MADI Bridge is basically a format converter. It converts MADI (SD8) into REAC (M-48′s). REAC only supports up to 40 channels of audio in one direction (remember that we are sending 48, so that means that the M-48′s don’t see eight channels), which is plenty of channels for what we normally use on a weekend.

Our input sheet lays out everything quite nicely

As you can see everything fits into the first 40 channels. The only things that don’t fit are speaking mics and playback audio. Those get pulled from their Aux sends and folded back into channel 39 & 40. Shiny! I’m telling you, this system is crazy-powerful!

The virtual mixer

So how do we get 40 channels to fit into 16 groups? That’s where the software comes into play. The Roland software allows you to not only specify what is in each group, but you can also remotely control each mixer! That comes in handy when you are first patching the system or helping a musician dial in their mix.

Assigning groups

Each mixer is independent of the other mixers. That means that you can fully customize what gets sent to each musician. In this case, we’re looking at our worship leader’s mixer. I’ve put his vocal mic and guitar in one and two to make it easy to get to. After that he has the band grouped by instrument and piece so that he can tweak to his heart’s desire.

Setting level and pan

In this view, you can see how we can adjust the volume of each channel in the group. In this scenario I have the overhead drum mics turned down a bit so that they aren’t quite so loud compared to the toms. We can also adjust the pan of each channel to help fill out the stereo space and give the mix some depth.

The S-4000D, Shure PSM 900 and Shure PSM 600

Okay, now we’ve got 40 channels of audio passing from the SD8 into REAC. Great… now what? That’s easy, it’s sent out to the S-4000D to get split and distributed to our seven M-48 units on stage.

(Note: this past weekend we only used four mixers on stage)

As you can see, the only thing that connects this system together is a few CAT5e cables. The S-4000D even injects power into the line so each M-48 doesn’t need a power adapter. Win!

The M-48 for our drummer

And once you add some nifty labels this thing really rocks! There are a ton of extra features that I would love to get into, but this post would be absolutely huge if I do. So instead, I will just leave you with a slideshow of pictures showing the M-48′s in action as well as how much cleaner our stage looks now after removing all of the band’s wedges.

Our Revamped Audio Rack

Yesterday was a great day!

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Today was a great day.

See, I even Twittered it. That’s how you know it’s true.

Our Revamped Audio Rack

Our revamped audio rack

But in all seriousness, it was a great day. I soldered up some custom cables, pulled out some unused snakes and Mike and I made a ton of progress with cleaning up our audio racks. I wish I had a “before” shot of the rack so you could see how much as been done to it. We still have some more to finish up tomorrow, but not much.

I’m sure some of you are wondering why we needed to reorganize and clean up the rack. Here’s why…

Last weekend was the last week of using the Yamaha M7-CL48 as a monitor console. This weekend we will be running entirely on our new Roland M-48s. So not needing to have Monitor World anymore really allows us to remove and consolidate a lot of equipment. On Wednesday, I removed our 40 channel split which allowed us to run both the M7 and the DiGiCo SD-8. Having that gone should allow a cleaner signal to reach the preamps in the DiGiRack. Our signal chain is now 100% digital from the moment it hits the preamps to the time it hits the main amps. Sweet!

If you have no idea what a DiGiwhatchamacallit is, don’t worry! Mike wrote a post a while back covering what our new system entails here and here… It’s an older article so some things have changed since then.

Okay, back to why we needed to do all this work. Monitor World resides up a flight of stairs and is tucked away in a corner. The wireless receivers, monitor amps and processors were installed in a rack up in Monitor World. It’s a pain in the butt to go up and down those stairs if you just wanted to use a single wireless mic and a vocal wedge. Now that that split has been removed we have room to move most of that equipment downstairs and into the same rack that houses the DiGiRack. I say some, because there just isn’t enough room to house the amps for the wedges. We have nine QSC amps. One will move to FOH, four will be installed in a rolling rack and the remaining four will be left in a rack in Monitor World. Remember how I said Monitor World is a pain to get to? Aren’t we going to have to run up there every time we want to turn on these amps? Nope! We installed four toggle switches that will power on the amps remotely. It’s all about working smarter, not harder! I’m pretty pumped about how much cleaner our install is and how much easier this system is going to be to use.

But what about Monitor World? What’s it going to be used for now?

Storage! We’ll use the lift to get the big/heavy/unused equipment up there which will make room for a workbench in our audio room. W00t! Mike and I have developed a plan that is going to rock my socks.

So now today we have a few loose ends to tie up. Literally. There are loose cables that need zip-tied. We also have to finish building our tactical CAT5 cables for the M-48s. Once those are built we get to play with the newest feature: the engineer surface. This was actually a suggestion that Mike brought to Roland back at InfoComm. I’m not sure if I can talk about it, but what the heck! Basically it allows our M-48 which sits on the desk at FOH to mirror a musician’s M-48. This makes it a lot easier to help them get their mix dialed in. So yeah, pretty stoked.

On a side note:
Most of the equipment we removed and more is for sale! Check Mike's blog for details.

And in other news…

Andrea and I actually talked on a phone for bit last night. And it wasn’t just “business” related. I’m not looking into it as any kind of sign for anything, but it was still nice to just talk. I really do miss her a lot.

Part of me hopes that she won’t read this, yet another part of me hopes she does. I don’t want her to read this because I’m not sure I want her to know how I really feel. But on the flip-side, I want her to read this because I don’t think I have to the stones to tell her I miss her. I’m scared of what she would say if I told her I really want her back. It’s not like life would be honky-dory if we did get back together. It’s going to take a lot of work, but I still believe with every fiber in me that it’s the right thing to do.

I just have to trust that no matter what happens, God has a plan and a purpose for my life… even if Andrea isn’t in it. I understand why God can’t force us to love Him and love each other. Forcing someone to love you isn’t love, it’s coercion. I get it. But wouldn’t it be easier?

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